From jackoverfull@gmail.com Wed Jun 20 02:18:37 2012
Subject:Re: Mojo/VB3 questions

The Leslie sim is far less flexible (even if it sounds a lot better
while using the default setting), it's actually one of the reasons I'm
still on 1.4, even on the mojo.

Don't remember about the C/V. Never got that _exaclty_ right on 1.4
either. I remember another player commenting on how good the Mojo's
one was when compared to the CD2, tough.

Sent from iPhone

Il giorno 20/giu/2012, alle ore 03.02, "Chuck"
ha scritto:

> I tried running the VB3 through Main Stage and stopped using it due
> to the C/V effect.
> I tried adjusted it to different settings. The middle setting was
> the correct volume for me but sounded nothing like any Hammond
> chorus I'd ever heard.
> The highest and lowest were too much and not enough.
> I've literally owned every clone ever made with the exception of the
> Mojo and the new Hammond model.
> I finally landed on the Nord E3 simply for ease of moving around
> quickly for practice and one hour sets.
> I then bought the C2 and recently upgraded it to the C2D set-up.
> I use a Ventilator with the C2D as my preferred go to rig. I use a
> PX3 on top of the C2 for my gig rig.
> I like what I'm hearing about the Mojo but if the C/V model/effect
> hasn't changed then I'd have to stay with the Nord.
> I'd like to find a decent controller to use with VB3 and the pianos
> in Main Stage but that seems to be like finding the Holy Grail.
> I tried using the E3 as a controller but the lack of full velocity
> on the E3 screws up the grand sounds.
> Can anyone address the differences in the VB3 software that I use in
> Main Stage and the VB3 model in the Mojo? Is it different or exactly
> the same?
> Are there more than three settings for the C/V?
> Is the depth and speed adjustable?
> How about the Leslie sim?
> Is it fully adjustable for spread, depth, ramp up times and mic
> placement?
> I have different rigs I use for different situations.
> I would really like to use Main Stage and one board.
> Thanks
> Chuck
>
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