From jason_stanfield@mac.com Mon Jan 31 10:55:21 2011
Subject:Re: The Future of Clonewheels?
Jason Stanfield
jason_stanfield@mac.com
______________________
On Jan 24, 2011, at 3:04 PM, goffmac747@aol.com wrote:
In a message dated 1/25/2011 3:27:54 AM, jason_stanfield@mac.com writes:
<< but I couldn't use them as "serious" instruments.
>>
Well said. I have had similar analogies in mind, of horn players not opting
for the latest software samples, same for violin players. The antiquated
original is still around and in demand. I have noticed the same working with
pro tours. And if they can't get the real thing, they'll at least want a real
leslie if that's all they can hope for on a tour going into a town without
their own or druthered rig. Most guys needing clones are weekend warriors
and it fits their needs and lifestyles, hence we have this good forum. A place
to learn about these devices and trade ideas. Incubus, rather than be
saddled with just any clone, couldn't bring a B3 or find one at the time they
played but brought their own XK3 double manual to make up for the lack of the
real thing, although I don't think they're known for a Hammond sound. Some
tend to link a real B3 with old school players but I've seen some young new
bands touring on the major talk shows use them in their acts. The B cabinet
look alone seems to send a certain message about the band and their music
besides the audio benefits.
Goff