From aart.saly@centric.nl Wed Oct 01 23:43:43 2008
Subject:Re: Finally revealed, new tool eliminates the "shrill factor"

So as I understand, the definition of the Schrill Factor is:

The effect that tones on the keyboard which have the same frequency
(so in real they share the same physical tonewheel though, like the
keys C4, C5 and C6 within the 1' drawbar) are added (giving an
increase in dB, while in real there is just only one physical
tonewheel so there can't be any addition.

I guess that there can exist some increase of volume when drawbars
sharing the same tonewheels on different keyranges have different
drawbar positions (e.g. drawbar 2' at 8 and the 1' on 4 will give on
some key positions more high frequency but, never, more than the
maximum volume of the involved tonewheels

While I'm also a player of the pipeorgan I noticed that this is
something simular to the principle unit pipeorgans. These are cheap
pipeorgans in which the base of a set of stops is one full set of 8'
pipes from which a 4' and 16'is derived by soldering all the contacts
of a specific stop one octave up or down. If you're lucky this set of
8' pipes is expanded with an extra octave of the highes 4' pipes and
the lowest 16' pipes. But this will never give the full sound of an
organ where each stop has its on set of pipes

Funny that what's a poor solution for a pipeorgan is one of the
wannahaves for a Hammond clone :-)

--- In CloneWheel@yahoogroups.com, "Jason" wrote: