From ynottnaro@yahoo.com Sat Feb 01 07:51:39 2003
Subject:Re: In the Court of the Crimson Kiiiiiiiiiiiiiiiiing.........

Exactly! Well put!
(Ahhhhhhhhhhhhhhhhhhhhhhhhh, a ah ahhh, aaah, ah
ahhhhhhhhhh!)

--- melvinnich@aol.com wrote:
>
> In a message dated 1/31/03 5:06:56 PM, Bix@elvis.com
> writes:
>
> << --- In CloneWheel@yahoogroups.com, ynottnaro
> wrote:
> > Hmmm...that's an interesting take on that, but I
> have
> > to disagree. It's not so much a flatted fifth
> > resolution (although mathematically you're
> correct) as
> > just nice voice leading. I see the underlying
> chords
> > as D, C (think of it as Caug4!!), Bsus, B.
> > Tony >>
>
> Dear folks,
>
> I suggest a melodic interpretation which captures
> the sequential design of
> the passage: the dissonant F# is a suspension
> prepared in the D chord and
> resolved in the C chord; the quick G between the
> suspension and its
> resolution is an escape-tone idiom. The overall
> theme employs a chain of
> suspensions (culminating in the usual 4-3 suspension
> into the B chord which
> follows the C chord).
>

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